The acoustics of any Control Room are
so important because they enable the engineer to hear the correct amount of bass, midrange and treble frequencies.
so that when the songs are played on other machines in less than ideal conditions, the sound of the finished recordings will
still sound good!
I spent countless hours analyzing the
Pandy Control Room and setting the acoustics in order to attain the advantage of accurate sound to work with.
The Pandy Control Room now has that sound.
And I didn't stop there. I wired
the entire control room with Mogami cable (Like the big boys) for the cleanest signal path...and Monster cable from the
studio 1/4"patch bay to the 1/4"console inputs. An A/V Link 8 channel snake also runs from the Studio to the Control room
for XLR inputs along with various MIDI cables.